wind

As I ride north, the wind blows fiercely—the maestrale, a wind that is as much a part of Sardinia as the very mountains and seas that surround it. The road winds alongside the rugged mountains, which, like silent guardians, watch over the path that leads to the sea. With every turn, the air changes: the cool, fresh breeze slowly gives way to the warmth of the setting sun, its golden light casting long shadows that stretch across the land.

Eventually, you reach a marble quarry. The sight feels surreal, like stepping into a frame from an Antonioni film. The sharp, industrial shapes of the quarry clash with the raw beauty of the natural landscape, and it’s almost as if time stands still. The machinery, now quiet, still echoes the sounds of human labor. This contrast between the natural world and the human imprint on it stirs a deep reflection, a contemplation of humanity's relationship with the earth.

This scene, though distinct, transports you to another place—another memory. You think back to your time on Lipari, where you visited the old, abandoned pumice quarries. The land there, too, had a strange, desolate beauty, where the earth and the bodies of the workers seemed to merge. The workers, once laboring under the harsh sun, were no longer there, but their presence lingered, woven into the very fabric of the landscape. You recall the weight of history, the sweat, the struggle, and the sacrifice of those who had worked in these harsh conditions. In those abandoned quarries, the lines between human reality and the earth seemed to blur—bodies and stone, labor and land, forever intertwined.

The quarry before me now, with its veins of marble cutting through the earth, is a reminder of the harsh realities humans have faced in their relentless pursuit of shaping the world. And yet, there is something strangely beautiful in this human imprint, a kind of paradox: the beauty of the earth shaped by human hands, the tragedy of labor immortalized in stone.

After a brief pause, I gather myself and continue my journey, heading toward Olbia’s harbor, where the next chapter of my adventure awaits. The sea, the sky, and the wind guides me, as they always have. But as I ride, I carry with you the weight of these reflections—the deep connection between the earth and its people, the land and its labor, the past and the present.

christina sassayannis

She founded Through Waters project in 2012. In 2015 Through Waters became an no profit Organization based in Geneva and in 2016 she founded the TW headquarter in Rome.

Father greek and mother swiss she lived always in a international ambience traveling through Europe and South America.

Graduated in Literature and Philosophy High School she became Anthropologist and researcher.

In recent years she focused her interest in the relationship between man and environment. She held various ethnographic research in the field on issues ranging from the relationship between culture and environment and gender difference, migration and life histories (Jordan / Greece / Italy / Sudan / Cambodia / India / China). For several years she has deepened her interest on water, studying the impact of climate change and local policies on the use of water resources.

Valuing water culturally and through art, realizing workshops with children and students, means for her creating awareness and sensitivity, with the goal to protect this fundamental element that gives life.

She wants to develop a new way of dialogue and integration through art building consciousness of the beauty of difference and of human beings worldwide.

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